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I’m not a religious person, but I am a spiritual person, and I have great respect for people who have a love for the divine, whatever they call it. Your mother also started her career in the theater, and has done a lot of great work there in recent decades. I’m very close to my mom — my dad, too — but we don’t always talk about what we’re working on. As a kid I knew [acting] was something I wanted to do but watching the way she went about it, her work ethic, how disciplined she is — I learned that focus has to be there.
You have a great shot at succeeding in this field if you love the work.
If I stay true to the text, when people come and see it, it will resonate with them, especially because of what’s happening now. There is no perfect time — or every time is perfect — to tell the story of a woman who didn’t need permission from any man or any institution to serve her purpose. You’re a black actress playing a famously persecuted figure, and the company in this production is pretty diverse.
I don’t think we’re actively trying to prove any point.
At first, I was just excited by the honor of playing Joan of Arc.
Then I met with Dan [Sullivan] — I love Dan, and his vision for the piece was so open, and that’s what really drew me in.