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So, she decided to try and write a portrait of modern-day India through the lens of its marriages. And the desperate attempts they were making to save their marriages, by having children, in at least one instance, were efforts I recognised from my own family.”The book is deeply researched and gives a startlingly intimate account of three middle-class couples struggling to balance tradition and their desires in a changing urban India.Over the next decade, though, the country’s dramatic economic and social changes would transform life in the metropolis, and especially change the marriages she first encountered.“When I landed in Mumbai in 2014, the city, save for its skyline—which had more malls and high-rises—looked much the same. Their marriages did not,” Flock writes in her new book, (Bloomsbury India). Its approach is especially unconventional in a country where representations of love and marriage don’t often explore what happily ever after really entails, and many of the issues Indian couples face, such as divorce and the search for sexual satisfaction, are still taboo topics.Maya’s mother was sort of okay with financial support; Maya was like, I also need companionship and all of these other things. The men were a bit more lost and a bit more behind.It was like they were living in two different worlds.Quashing the romance rumors, Kaur referred to them as “fiction,” tweeting: “Fact: I may need a root canal. More facts: Fiction can be more hurtful; Monday blues exist and I love ice cream.A decade ago, at the age of 22, American writer Elizabeth Flock moved to Mumbai with a vague idea of working in Bollywood.Why did you decide to tell the story of these three couples specifically?There were other couples that I interviewed and talked to.
Then there’s Shahzad and Sabeena, a Sunni Muslim couple engaged in a long struggle against impotence and the cultural pressure to have children, and Ashok and Parvati, Tamil Brahmin Hindus who have a relatively late arranged marriage after years of trying to find love on their own.
She ended up at the business magazine Forbes instead.
But in the process of living and working in India’s financial capital, Flock met and befriended a number of Indian couples whose approach to love was a lot like what many Hindi films promised: a form of devotion, if not outright obsession.
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Those were both really dramatic stories, obviously, but in the end I felt like I wanted to tell the stories of middle-class, ordinary people, because I connected with those people, because they had the same experience as me in some ways.